In April 2020 Rafał Pierzyński was an artist in residency at KULTURFOLGER Zürich. His research and artistic practice, movement and choreography, expand ideas of touching and being in touch.

kulturfolger.ch/touching-video

 

His residing in Kulturfolger materialized itself in an essay - Queer times,

as well as a recorded performance.

TOUCHING (COVID-19) 

work in progress

How to touch when the social distance is establishing itself as a paradigm? How’s touching in crisis?

During Pierzyński's residency, the public, off space of Kulturfolger became a private space of touch. A party, but only for one. Following his research, in a  34-minute video-choreography of multiple cameras, Rafał Pierzyński explores the alterity within (inspired by Karen Barad) from different points of view, touching, differentiating own parts from one another. It is a ceremony of touch. Pierzynski’s phasing, circular journey reveals the potential of the choreography to speak beyond the dimensions bounded by time and space, proposing a reality of hyperobjects (after Timothy Morton) where we are all interconnected entities. Celebrating the difficult, queer moment, he is looking at the potential of the unseen, and the space between us, the tension between our backgrounds and foregrounds. In his reflection of the lockdown, like in a ritual, he embodies the idea of reorienting (Sara Ahmed). After being alone in the vertigo of images, multiplicities, voices, sounds, collages, coexisting digitally skin to skin, we leave the party with the question: ‘how can we live together?’ It is our coded ceremony, the only possible one at this moment.

 

https://vimeo.com/415519203/0e1b679454

Touching - queer times
 

“This is a queer moment, the experience of the other, oblique reality, in the temporary shift of perspective: disorienting, fragile, collective, touching in the absence of touch, its notouch.

Reality, as we know it is humiliated once again, and it’s over –  evoking the chance to become something else. Queer moments bring revolution. Revolutionary listening, non-doing, non-speaking, non-touching, non-coming.   We are still able to taste the past and we've already licked the future  - we are in the only reality there is - that very transition. This year you can quit being straight. Losing the form in the unknown. Cruising, dissolving and loving in darkness. Reorienting. (...) ”

https://www.kulturfolger.ch/queer-moments

 

TOUCHING (IS ELECTRIC)

We are cyborgs and we are together. Everything we know we know from our skin. Dissolving, carefully downloading and uploading.


The treatment-performance insists on the bodymind connection and affirms the ability to extend ourselves and connect through different modes of touching. It's meant to highlight the importance of the experience of more careful living in touch with ourselves, each other and the environment. It also functions as an invitation to use the spacetime that technology provides us to strengthen and develop our bodily and sensory skills, as well as to further investigate the nature of the collective, embodied, situated consciousness that we are.

 

As part of Backslash Festival 2019 @ Gessnerallee Zurich - DIVAS takes you to the next level. There is no chance for a fresh start though – lots need to be undone. We are with what our skin knows and we trust it.

 

What kind of embodied histories and intimacies do we practice if the future is now?

The person receiving the treatment lays on the table with eyes covered, wearing earphones.

 


performance: Rafał Pierzyński, Agata Grabowska
sound: Marcel Babazadeh / Atelier Klang und Raum
masks: Nagi Gianni
photos: Caroline Palla / Lea Huser

 

 

 

 

 

LOSING THE FORM IN DARKNESS


“Protect your heart at all costs.” (Abra – “No Chill”)

 


When going through darkness we need to care more, we need to keep in touch. In times of having, we keep on learning that loss is inevitable – we were never meant to last. Eating our own trash, now we need to learn about giving and taking with more care.

 

teaser: https://vimeo.com/387323206

 

choreography: Rafał Pierzynski 

performing: Rafał Pierzynski, Agata Grabowska
music collage: (with technical support of Justyna Stasiowska)
technical realization: Łukasz Kedzierski 

artistic coaching: Dalija Acin Thelander 

production Art Stations Foundation by Grazyna Kulczyk 

in the frame of Solo Projekt Plus 2019 

premiere 19.10.2019 Studio Słodownia +3, Stary Browar, Poznan
 

 

photos: K PICTURES dla Art Stations Foundation by Grażyna Kulczyk

 

 

 

 

 

DIVAS

DIVAS is a group of performers set up by Aga Pędziwiatr and Rafał Pierzyński in 2016

 

for more about DIVAS works look here

 

 

 

 

POMADA Queer Festival Warsaw

 

Performance of Rafał Pierzyński and Ryszard Kisiel,  Pomada 'EDEN' 2018

Queer Archive of artifacts and memories from Ryszard Kisiel part of creating Polish queer history 80's relived together with performance practice of Rafał Pierzyński. Bringing together generations, reinforcing Polish queer art and community.

 

Performance of Rafał Pierzyński, Pomada 'Heritage' 2017

Radio Pomada by Maria Kozłowska, Robert Wasiewicz and Rysia with the live storytelling, poetry, love letters from the queer polish history together with listeners feedback and live performance of Rafał Pierzyński.

 

check fundriser video for Pomada 2018 with my performance from 2017

https://www.youtube.com/watch?time_continue=50&v=gaZIyeiQUJk

 

Pomada on fb: Pomada Festival

 

 

 

 

touching


Rafał Pierzyński
Resident of message salon embassy
November 12th, 2017 to January 28th, 2018
Zine #9 – Edition of 150 Copies

Madame l’Ambassadeur Esther Eppstein
message salon embassy Zürich Nord
Baugenossenschaft mehr als wohnen
www.messagesalon.ch


©2018 Rafał Pierzyński & Divas & message salon

 

For 3 months Rafał had an opportunity to be a part of a community of Hunziker Areal, in Oerlikon, Zurich where he lived and had his own studio working on performances with DIVAS and his collage works. The residency ends with a Zine release.

 

see the pdf. version of the zine here

 

 

 

 

 

 

TAKE OFF, 2014

 

Take-off is a solo improvisation score where dance appears through negotiation with my own body. I'm exploring the 'movement potential' and the 'movement to be' changing the direction before arriving, moving the future. Sometimes unexpected connections make you continue your path unusually. Before you formulate a thought there is still time for a shift. Where observer's mind finds the potential, images 'may' shortly appear. Embodied Communication.

 

 

 

 

Another Level, 2013

 

“Another Level” is a look at the dance performance as a dynamic process occurring in between the performers. On stage, individuals are working out a way to be together in one space. We observe possible developments inside of the process when there is no option ‘to leave’.  Falling through another levels we begin to interpret their surroundings differently.

 

It’s a look at another level of limitation. When one sees difficulties in every restriction, another can see opportunities in every difficulty. Working with the topic of restrictions, the performers create a dance full of possibilities. Group improvisations and discussions, as well as personal discoveries of the eight dancers, young choreographer and music composer meet in a dance performance.

 

Performace with the students of Institute of Dance Arts (IDA) at Anton Bruckner Privatuniversität Linz, AT realized with the support of Föredrungsstypendium A.B.P.U. and Cie. Off Verticality

 

Choreography: Rafał Pierzyński (Poland)

Music : Dominik Harrer (Austria)

Dance and choreography: Paweł Hawryluk (Poland) Neža Hribar (Slovenia) Michaela Hulvejová (Slovakia) Matej Kubus (Slovakia) Martyna Lorenc (Poland) Leon Marič (Slovenia) Agnieszka Pędziwiatr (Poland) Solaja Rechlin (Germany)

 

video trailer here